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    Wells       Ch'ang-Hon Taekwon-Do Academy.

 The Blue School, Kennion Road, Wells, Somerset, England.

The Wells Leisure Centre, Wells, Somerset,    England.

01749 343385 07787 196892

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The martial arts have always been founded on deep rooted philosophies & these hold a special significance for the martial artist. They shape the way we develop & the way we conduct ourselves.

As the fighting arts originate from the Orient, the philosophies that surround them have a distinctly Eastern flavour. Many have basis's in Buddhism, Confucianism & Taoism.

The Korean art of Taekwon-Do has its own philosophical code known as "The Tenets of Taekwon-Do". These are elaborated on in a separate section of this website. [click here]

The Wells Taekwon-Do School has its own philosophy which builds upon & reinforces the Tenets & the other philosophical values of Taekwon-Do. This philosophy is encompassed within the club badge & an explanation of this is given below.


 


 

Ch'ang-Hon Taekwon-Do philosophy

Ch'ang-Hon is the original name of the style of Taekwon-Do that we practice. The ITF style patterns are all based on the original martial art of Taekwon-Do that was developed by Choi Hong Hi in the late 1940’s. The name Ch’ang-Hon derives from General Choi’s pen-name, which he named the Chon-Ji pattern set after. Ch’ang-Hon literally means “Blue Cottage” & originates from the Chinese characters Cang & Xuan. This pen-name was possibly given to Choi by his calligraphy teacher when he was a young student, under the tutelage of the Calligraphy & Taek-kyon master, Han Il Dong.

 

Ch'ang-Hon TKD club logo

 

The various elements of the badge were chosen for their symbolism or their historic/cultural importance. The most obvious elements are the blue dragon & the white tiger. These were chosen, as they are both important creatures to the Eastern people, including the Koreans. The initial inspiration for these characters were taken from a mural that was painted on the wall of Kangso Tomb, the resting place of an important Korean, who lived during the 7th century.

The dragon is deeply rooted in Oriental culture, they also symbolised the King or Emperor. Dragons were described visually as a composite of parts from nine animals: The horns of a deer; the head of a camel; the eyes of a devil; the neck of a snake; the abdomen of a large cockerel; the scales of a carp; the claws of an eagle; the paws of a tiger; and the ears of an ox. The dragon was credited with having great powers that allowed them to make rain and to control floods (by striking the river with its tail, causing it to open and thus divert the floodwaters), for this reason they were viewed as a rain-spirit. They had the power to decide where and when to have rain. The Eastern people believed the kings of the water dragons lived in the dragon palaces under the oceans.

This connection to the water element holds further symbolism. The calm appearance on the surface of the deep lakes that the water dragons resided belied the strong, powerful undercurrents that flow deep in its waters. This is how a good martial artist should be; calm and serene on the surface but concealing power and strength ready to be unleashed, just like the breaking of a dam where the sudden release of pressure destroys all in its path. 

The undercurrents can shift even the biggest boulders and the flow of water can shape the lay of the land, demonstrating just what a powerful force it is. But even with the immense power that the rivers and oceans hold, they are soft and yielding and will flow around obstacles placed in its path. This reminds the student that not all things must be met with strength, but sometimes a softer, yielding approach may prove to be more provident. The element of water can never be destroyed it will just change state; heat it and it will turn to steam, freeze it and it will turn to ice. This tells the student to be flexible and open minded, and to implement changes when necessary.

The white tiger is probably the most popular image in Korean folk painting & decoration. It remains as a symbol of power, king of the animals & according to popular myth, can change into human form. Because of the tigers fierceness & courage, its image was sewn onto the breast & back panels of the military & court dress of high ranking civil & military officers. It was often seen as the Mountain Spirit, or San-Shin, which the Koreans believe reside in each mountain & are often worshipped at the village shrine.

The white background surrounded by the black border represents the Eastern concept of Yin-Yang (Um-Yang in Korean). The white background symbolises purity or having no ego; this is the traditional colour of the Taekwon-Do dobok. It serves to remind the student of the art to act with modesty, humility & to strive to become a strong person without becoming arrogant or a bully. The black border represents the students’ goal of trying to reach perfection & competence in the art of Taekwon-Do. This also directly relates to the white & black belts, which are the beginning & the “end” of the students’ training. The black belt, however, should not be viewed as the “end” of the students’ training career, more as a beginning of the next stage of learning; an infinite journey on the path to perfection. 

 

 

The black belt

There is one final piece of philosophy that is very common in the Korean martial arts. This is part of the embroidery that is present on the Ch'ang-Hon students' black belts & it is the concept of P’il-sung.

This is a powerful underlying philosophy that runs throughout Taekwon-Do at many levels. It literally means “certain victory” (or sure & unfailing victory). Not only does it refer to the obvious connotations regarding the ability to have the strength of mind & the physical ability to defend one-self, but it embraces the concept of self-belief; the belief in yourself to conquer your fears, your limitations & the obstacles that you come across through-out your life.

The philosophy of P’il-sung not only covers the important tenets of perseverance & indomitable spirit, but also the concepts of courage, determination & the power of positive action. 


 


 

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There are 24 patterns in Taekwondo, ranging from 19 move patterns to 72 move patterns. The initial patterns are very symmetrical & most combinations or movements are repeated with both sides of the body, in opposite directions. These first few patterns are reasonably basic & introduce the novice student to the most common stances, blocking techniques, strikes & kicks....(more)


 

 

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